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In a departure from our usual wildlife productions, we are delighted to announce our latest documentary, The Insiders' Guide To The Menopause, authored by Kirsty Wark. Originally broadcast at 21:00, Thursday 16th February on BBC Two Scotland.
To view clips and find out more information, please visit the BBC Programme Page.
We are often asked about how to get started in the wildlife filmmaking industry and, as many will tell you, the best and most straightforward advice is to get out with a camera and shoot! Wildlife stills are a great way to get started and we're lucky to live in a digital age where cameras are cheap and accessible, even if it's just on your phone. Studying wildlife photographers and how they take great pictures is a fantastic way to learn how to get that elusive shot...
The new year may well be underway but here at Maramedia we can always make the time for some wonderful wild imagery. From moody skies to lichen-festooned trees and friendly urban foxes, the Maramedia camera team reflect on their favourite wild images of 2016 and tell us how they got the shot.
![North Ron sky[10].jpg](https://images.squarespace-cdn.com/content/v1/553f926ce4b0a46bddb4baf6/1481295007081-L353Y2I64QDSHAFNMADH/North+Ron+sky%5B10%5D.jpg)
I had just finished filming Sanderling on a wild beach on the island of Sanday and was packing my kit away. I thought I would have one last look at the shore and when I walked over the top of the dunes I saw this dramatic sky, full of angry snow clouds. I rushed down the beach and saw the lovely light being reflected in the wet sand. I used a 20mm lens and waited for the inquisitive Fulmar who had been circling me to make another pass, firing off some shots as it flew through the frame.
High pressure was sitting over Scotland for much of November so there were plenty of clear, cold, frosty mornings. This was taken in Glen Affric where you will find one of the finest remnants of Caledonian pine forest in the land. But a pine forest is not just Scots pine. There are plenty of ancient birch trees too. This one was festooned in lichen. To get the best shot I opted to get under the tree, down low and shoot into the sun to make the most of the soft backlighting on the bracken and leaves. I positioned the camera so the sun was partially hidden by the tree, to avoid glare on the lens which would have killed the subtle light.
I am lucky enough to stay right round the corner from a fox den. This year the pair had three cubs and I would see them in my garden regularly. One morning I decided to get up at first light to see them emerge from the den. From watching them on a number of previous occasions I knew the larger male cub was extremely bold and often would approach me with little to no signs of fear. This particular morning I decided to sit on the ground to appear as unthreatening as possible. The cubs curiosity quickly got the better of him and it was not long before my shoes became his new favourite chew toy. He stayed close by for roughly 5 minutes until he decided I was no longer interesting or providing him with food and he made his merry way back into the woods.
My approach to landscape photography has always veered towards the abstract end of the spectrum. Each woodland has its own charm and character, which in turn changes with the seasons. Often I find myself experimenting with multiple exposures, photographing individual trees and painting over or under them with other views from within the woods. There’s a lot of trial and error involved as you’d expect but every image you create is unique and that’s what I love about it.
My most recent obsession has been experimenting with cheap, vintage lenses (inspired by the wonderful Vintage Lenses For Video). Vintage macro lenses are great as autofocus isn't much of an issue in macro photography and new macro lenses can be particularly expensive. While on holiday in Cornwall, I was photographing foxgloves with a new (old) Vivitar macro lens when I spotted this busy bumblebee, proboscis-poised and dwarfed by the foxglove's bells.
Lamu island is part of an archipelago off the coast of Kenya. Rich in a Swahili-Arab history, it was has been a trading hub for hundreds of years. There are no roads on the island and so the best way to get around are on traditional dhows, which have been used for centuries to ferry passengers and traders across East Africa and all the way to the Middle East. I took this picture of while onboard, as the sails, still constructed in their traditional style, caught the trade winds.
A huge thank you to all those who entered our Highlands - Scotland's Wild Heart Photography Competition. We were so impressed by the many beautiful and interesting shots of Scotland's landscapes and wildlife that were submitted. It was great to see that so many people have such a passion for this special place - and for capturing it on camera!
The Highlands team at Maramedia have really enjoyed looking through all the entries and it has been a difficult task to select just a few winners. The following shots really stood out as memorable and iconic images and we hope you enjoy them as much as we did.
OVERALL WINNER - JOHNNY FOY
We are delighted to announce that our overall winner is Johnny Foy with his shot of a jaw-dropping sunset on Suilven, Assynt. We felt this picture really summed up Scotland’s wild heart and showcased the immense beauty and scale of the Scottish Highlands.
Johnny receives our first prize, kindly provided by VisitScotland, of two nights' stay in the Cairngorms National Park. He also wins a fantastic workshop exploring the local wildlife with photographer, guide and red squirrel mastermind, Neil McIntyre.
RUNNER UP - KEVEN LAW
RUNNER UP - JO McINTYRE
We are also pleased to announce our five runners-up - Keven Law, Jo McIntyre, Nick Mckeown, Annmarie Meredith and Gavin Ritchie. Along with our overall winner, each runner-up will each receive the series DVD and a copy of the accompanying book by Stephen Moss and Laurie Campbell, published by Bloomsbury.
We couldn’t resist Keven’s close-up of an grey seal pup in such stunning light - just adorable.
Jo’s photograph captured a brilliant piece of action and brought a smile to everyone’s face! We loved the humour in this shot as a mallard took on an osprey.
RUNNER UP - NICK MCKEOWN
RUNNER UP - ANNMARIE MEREDITH
Nick’s photo of a dipper in golden light really stood as an iconic shot of Scotland’s only aquatic songbird.
We felt Annmarie’s picture captured an intimate moment with the muted winter colours of the old heather against the red grouse’s plumage.
Gavin captured a stunning view of the loch and mountains with autumn mists and leaves on the turn – a very evocative picture.
RUNNER UP - GAVIN RITCHIE
If our stunning submissions have left you longing for a trip to the Highlands, you can find more information about visiting and exploring this very special place on the VisitScotland website.
For more inspiration and tips on taking wildlife shots, please check out our earlier blog with interviews from Neil McIntyre and Charlie Philips. We’re always keen to see and share beautiful and interesting images of wildlife and so, though the competition might be over, do keep tagging us on social media and don’t forget to follow us on Facebook, Twitter and Instagram.
Thank you to Visit Scotland and Bloomsbury for kindly supporting this competition.
Just like the Team GB athletes, many of our native animals have astonishing athletic abilities. With the Opening Ceremony of the Rio Olympics screening just hours after the first episode of our Highlands – Scotland’s Wild Heart series (which starts 9pm, Friday 5th August on BBC Two), we took a look at how Britain’s wild record-breakers measure up to their human counterparts.
These fish-eating birds of prey are superbly adapted for a powerful lift. Their wings contain more feathers than other large predatory birds and are longer with a higher arch. This gives the wings enormous strength allowing the Osprey to carry fish that weigh up to 2 kilograms and match the birds’ weight for weight.
Osprey don’t quite match Olympian weightlifters (some of the record-holders lift nearly five times their own body weight) but for a British bird you can’t say it’s not impressive – and those fish are darn slippery!
COPYRIGHT SIMON WILLIAMS/MARAMEDIA
The standard marathon, a mere 26 miles (42.195 kilometres), would be a breeze for a Reindeer. With their strong, powerful legs and stocky build, these animals are perfectly evolved for long-distance travel. A radio-collared female Alaskan Caribou (the Reindeer’s closely related North American cousin) was tracked migrating over 5,000km in a single year. This makes the Alaskan Caribou the most well travelled land animal in the world!
Thanks to our friends at the Cairngorms Reindeer Herd for these facts.
Though they certainly wouldn’t win points for their flight or entry, guillemot chicks – aka ‘jumplings’ – make a death-defying leap from the cliff-ledges where they were raised down to the sea at just three weeks old. With tiny, unformed wings they have little control as they leap from 400 foot sea cliffs, dwarfing a 33ft diving platform. And they synchronise - the chicks all jump around the same time at dusk as there's safety in numbers and this allows individuals to avoid predation.
COPYRIGHT NEIL McINTYRE
Red squirrels spend nearly 90% of their lives in the treetops and their superbly adapted to climb and leap with acrobatic flair! Their long hind limbs are evolved for leaping and their double-jointed ankles can turn their feet through 180° allowing them to move down a tree head first. As for that big fluffy tail - it's nearly the same length as their entire body and provides excellent balance.
Javier Sotomayor (Cuba) set the current high jump Olympic record, with a jump of 2.45 metres in 1993. However, here in Scotland, Atlantic salmon, measuring just a third of Sotomayor’s size, have been recorded leaping over falls of 3.7m! The fish make these leaps regularly on their 2,000-mile migration from the ocean to their spawning grounds. For that, we give them gold!
Don't forget to tune in to Highlands - Scotland's Wild Heart, starting 9pm, Friday 5th August on BBC Two and the Rio Olympics 2016 Opening Ceremony, which starts just after at 11:40pm on BBC One.
